Foundation
The archive
What was recorded, in the form it was recorded. Nothing here plays on its own.
The United Nations, 20 January 2016
Address to the United Nations, 20 January 2016
Gregory Sarno presents the case for nature-assisted shoreline recovery to a United Nations audience on 20 January 2016.
The Foundation
Beach Recovery Foundation exists to make coastal restoration visible. The engineering happens underwater, over years, in places most people never see. Our work is to document it, exhibit it, teach it, and keep the record honest.
That work runs in four parts:
Film — documentary production, including Saving Bù, recording what returns to a shoreline once it is allowed to rebuild.
Public art — the canvases carried by the nearshore structures, and the artists who make them.
Education and archive — the photographic record, the field documentation, and the material behind twenty years of shoreline.
Membership and events — the people who fund the work and the gatherings that bring them to it.
Film and time-lapse
Time-lapse: the shoreline rebuilding itself.
A single stretch of coast, recorded over time as sand is captured and the beach profile returns.
How it began.
The origins of the work, in the founder's own account.
The look book
The Basalt International Shoreline Recovery & Protection Systems proof of concept, page by page: named sites, dated photography, the permitting pathway and independent engineering review.

1. Coastal Stabilization Proof of Concept

2. The Cost of an Eroded Shoreline

3. Why Hard Structures Fail

4. The Recovery Process

5. How Accretion Works

6. Installation

7. Permitting Pathway

8. Proof of Concept Overview

9. Grand Haven, Michigan

10. Manistee, Michigan

11. Lakeside, Michigan

12. Muskegon County, Michigan

13. Douglas, Michigan

14. Additional Shoreline Evidence

15. Independent Engineering Validation

16. Independent Supporting Documents

17. Evidence Register — Citation Detail

18. Delivery and Engagement
Photography
Every photograph here carries its site, its year and its photographer. Images without that provenance are not published.